After briefly straying into the domain of protests and revolution, it’s time to get back on track with some funky R&B from the height of the carnivalistic madness of the 1980s. Behind this great track are the Bar Kays, a resilient band with a stormy history. They started out in 1966 as a backing band for Stax Records, and were chosen to support Otis Redding in 1967. Tragically, four of the founding members died in the same plane crash that also ended Otis Redding’s career much too early. The two surviving members of the Bar Kays however managed to re-establish the band – an admirable accomplishment. They went on to become a successful funk band in the seventies, and kept up the success with a more commercial sound as they entered the eighties.
This short cartoon from 1943 is considered in Japan to be one of the greatest anime movies of all time. Even though I didn’t watch an awful lot of anime, it makes perfect sense to me that this wonderful little movie has gained such a standing. Kenzō Masaoka, who created Spider and Tulip is an important figure in the history of Anime, as he was the first to introduce both cel animation and synchronized sound to the genre. He was also a master animator, rivalling his contemporaries in the USA and elsewhere with exceptional drawing skills and stylistic confidence. In Spider and Tulip, we meet an innocent, singing little ladybug, and the sly Mr. Spider, who cunningly tries to capture her in his web.
If you happened to watch Dumbo as a kid, you might remember the scene where dumbo falls into a tub filled with champagne and accidentialy becomes intoxicated by alcohol. Dumbo’s hallicunations however are quite wild, and point in the direction of something else having found its way into the drink. Did Disney’s animators draw inspiration from some other, more exotic substance, back in 1941 when they created this segment of the Dumbo movie? I guess we will never know, but in any case “Pink Elephants on Parade” remains one of the most colourful and fantastic moments in the history of animated cartoons.
This surrealistic animation from 1978 is a real feast for the eyes, so full of wonky weirdness you can not avoid being amazed. It’s a bit like seventies counter culture meets Betty Boop and Koko the clown in outer space. In fact Sally Cruikshank has admitted to being influenced by Fleischer Studios (who made Betty Boop) – but that said, she is a one of a kind genius – owing her success to a wildly creative imagination. In addition to making her own movies, Sally Cruikshank worked for many years producing short animations for Sesame Street. The inspiration for this film seems to be the flimsy world of healing, astrology and new age hocus-pocus.
This short film by German animator Andreas Hykade takes you on a spastic journey back and forth through cartoon history, with short detours via evolution and psychedelic trip.
The cat and mouse game has been a favourite theme for animators and audiences alike since the early days of the animated cartoon. Whether the predator is a wolf or a cat, and whatever animal the innocent victim may be, these films always follow the same pattern; the big bad wolf/cat looses his chances to eat bunny/bird/mouse steak due to arrogance, stupidity and slow response in the defining moment. The audience loves to see the innocent little animal making a fool of the big bad animal trying to eat him. It is a deeply rooted theme, also present in fairytales from every corner of the world. It seems we all like to see the big and strong being overpowered by the small and helpless. In the case of Nu Pogodi, we have a cigarette smoking wolf constantly assaulting an androgynous little bunny rabbit – luckily to no avail.
This thriller of a movie has a special cast in a special set; all characters come from the brands that invade our lives, and the drama unfolds in a corporate city of logos and trademarks. It won Oscars for best animated short film in 2010, but somehow hasn’t become as widely watched as it ought to be.