After briefly straying into the domain of protests and revolution, it’s time to get back on track with some funky R&B from the height of the carnivalistic madness of the 1980s. Behind this great track are the Bar Kays, a resilient band with a stormy history. They started out in 1966 as a backing band for Stax Records, and were chosen to support Otis Redding in 1967. Tragically, four of the founding members died in the same plane crash that also ended Otis Redding’s career much too early. The two surviving members of the Bar Kays however managed to re-establish the band – an admirable accomplishment. They went on to become a successful funk band in the seventies, and kept up the success with a more commercial sound as they entered the eighties.
Since Black Metal originated in Scandinavia in the early nineties, the scandal ridden metal sub genre has become a prime cultural export of Norway. The audience stretches from Buenos Aires via Teheran to Tokyo, and the biggest names still draw massive audiences on their world tours. At this point however I wish to wipe the dust of a Norwegian rock band at the total opposite end of the scale; Hair Rockers TNT. They never reached as big an audience as their Swedish counterpart Europe, but their tunes are equally catchy and the band bangs out a constant virtuosic overload. With vocalist Tony Harnell covering four octaves, and Guitarist Ronny Le Tekro possessing some wild guitar skills, they did however become very big in Scandinavia and in Japan (of course).
Allthough Wes Wilson is seen as the father of the psychedelic rock poster, the poster art of Victor Moscoso stands for me as the archetypal expression of the hippie era. With vibrating colours and psychedelic imagery, his posters take you straight back to that special vibe of the late 1960s San Fransisco. Victor Moscoso was born in Spain in 1937, but moved with his family to Brooklyn, New York three years later, where he spent most of his youth and childhood. He went on to study art at Yale under the supervision of Josef Albers, whose color theory later became an important inspiration for him. Jack Kerouac’s On the Road was a motivating factor for Moscoso to move on to California and San Fransisco in 1959. But it wasn’t until 1967 with the Summer of Love that Victor Moscoso rose to international fame, with his posters for the Avalon Ballroom (whose concerts featured artists such as Janis Joplin and the Doors). There is an excellent interview with him at The Comics Journal, for those who would like to read more about his fascinating life and refreshing take on art. Victor Moscoso is still active as an artist.
I’m amazed by how simple and yet how cool this music video is. (Directed and animated by Ellis & Sac Magique). Norwegian electronic duo Ost & Kjex (cheese & crackers) have been around for quite a few years. I love their playful, unpretentious style and their quirky falsetto vocals.
This short film by German animator Andreas Hykade takes you on a spastic journey back and forth through cartoon history, with short detours via evolution and psychedelic trip.
Canadian animator Ryan Larkin has sadly become just as well known for his unfortunate life story, as his powerful animations. After being nominated for Oscars with “Walking” in 1969, he followed up the success with this amazing little film in 1972. Unfortunately, Street Musique became the last complete movie he made. Somehow Larkin ended up on a path of alcoholism, drug abuse and homelessness. A few years before his death in 2007, he did however have a little comeback; as the director of the music video “spare change”, but only as a vague shadow the creative genius he once used to be.
Here is a gem of a music video, of legendary Jean Michel Jarre’s song Zoolook. It was one of two singles on the album of the same name, released back in 1984. The plot revolves around a crazy Frankenstein-ish scientist who travels the world with his fantastic robot show, enchanting young audiences from Shanghai to Zanzibar…