I have always been a collector of little things. My first collection was a shoe box full of pine cones. Later I found it more exiting to collect objects that didn’t all look the same, like stamps for instance. My grandfather was a diligent and proud philatelist and used to give me stamps for Christmas. As I child I spent hours organizing and admiring these little artpieces, which is a labour I appreciate now, many years later. As well as being amazing graphic design pieces, these stamps are also icons of a bygone era. A digital print of an Adobe Illustrator file will never be quite the same as a miniature engraving, as many of the old stamps are. Here are some of the favourite pieces from my collection; the rest of the set can be found here: Thirty Stamps
I scanned these images from a book found in Keith Fawkes Books in Hampstead, London. It’s the messiest and most chaotic bookshop I’ve ever been into, but those are the kind of places where strange treasures like “Visions of the Future” can be found. The subtitle reads: “An exciting and novel selction of science fiction art of today”. The book was a British publication, featuring at the time young British artists. Judging from a quick round on google, most of them seem to be active still. So there is plenty of inspiration out there! Here are five of my favourite artworks from the book, which stood out among all the weird and funky sci-fi kitsch.
Moustapha Alassane was born in Niger in 1942. Originally a mechanic, he discovered the art of animation on a trip to Canada, sponsored by French filmmaker Jean Rouch. His animation style is uniquely African, mostly starring naively drawn frog characters and commenting on the (then) newly independent African nations with surrealistic satire. He draws directly on the film roll, cleverly avoiding the trouble of transferring the animation from paper.