I discoverd Stelios Faitakis two years ago, at the Venezia Art Biennale, where he had painted a big mural on the wall of the Danish pavilion. His art captures the mood not only of the crisis in his native Greece, but also the global crisis of capitalism. Faitakis’ pictures look like something painted by a medieval monk beamed into our modern age, trying to document the society around him. The result is a striking visual language, which elevates the battles of our time to something much deeper than just angry young men throwing rocks at riot police.
Since Norway is a a small country with only four million people, you would not expect the regional differences to be too big. The geography though is such, that for almost a thousand years, from the end of the viking era and until modern times, the different regions did not interact much among each others – so that each part of the country developed distinct cultural and linguistic traits. Oddvar Torsheim is an artist whose burlesque style is distincly Western Norwegian. His art is a homage to the fjord landscape and the people who live there, but also a satirical look at Norway; the religious fanaticism of the west, the oil industry and the greed which has corrupted our innocence over the past decades. And then there is women, beer drinking men and I guess a bit of autobiographical references too, in Torsheim’s humorous, freudian universe.